Major Autumn Auction

Saturday 25. November 2017 at 3 p.m.

184 Lots
Exchange rate
0.895 GBP1 Euro
1.193 USD1 Euro
  • Ladik Niche Carpet

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    • Lot1
    • OriginCentral Anatolia
    • Dimensions191 x 113 cm
    • AgePre 1800
    • Result EUR3,936
    The term “prayer rug”, once obligatory for describing any rug presenting a mihrab and niche design, implied that the rugs were used for this purpose. However, it has now been established that most of them were not used for prayer, but served as wall hangings depicting Islamic iconography; they are now described as niche carpets due to their design. This very old example of the Ladik group has a plain red field, a steep stepped arch and an upper tulip panel. The rare drawing of its main border is striking, and also occurs in Innice weavings. – Obvious signs of age and wear, low pile, the foundation is visible in places. Several rewoven sections, both ends reduced.

    BUTTERWECK, GEORG & ORASCH, DIETER, Das Standardwerk des anatolischen Knüpfteppichs. Zentral-Anatolien. Vienna 1986, no. 43

  • Karachov Kazak

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    • Lot2
    • OriginSouth West Caucasus
    • Dimensions210 x 161 cm
    • AgeCa. 1870
    • Result EUR1,845
    A green-ground Karachov with a four-and-one design surrounded by chains of rosettes. Four additional rectangles are seen at each end. The yellow-ground border contains diagonal serrated leaves and stylised tree forms. – Evident signs of age and wear, a low pile; several old rewoven sections deviate in colour.
  • Sevan Kazak

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    • Lot4
    • OriginSouth West Caucasus
    • Dimensions205 x 180 cm
    • AgeSecond half 19th century
    • Result EUR4,182
    This red-ground Sevan Kazak displays a huge “winged shield” medallion, its interior covered in small dots. The red cartouche at the centre encloses a smaller white cartouche. The wide white outline is adorned with stars, while large palmettes on a yellow ground constitute the design of the main border. An almost identical example was exhibited in London in 1983. – Signs of age and wear, both end finishes have been repiled and the selvedges replaced; creases, old restored sections.

    THOMPSON, JON, Carpet Magic. The art of carpets from the tents, cottages and workshops of Asia. London 1983, pl. p. 115

  • Lesghi Long Rug

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    • Lot5
    • OriginNorth East Caucasus, Daghestan
    • Dimensions286 x 94 cm
    • AgeMid 19th century
    • Result EUR3,690
    Seven immaculately drawn Lesghi star devices accompanied by palmettes and hooked diamonds are aligned in the narrow dark blue field. Small animals have been incorporated into the design. The wide sea-green main border decorated with a kufi vine and cross designs is flanked by red borders of polychrome star-shaped blossoms. – Obvious signs of age and wear, creases, damaged sides, low pile.

    EDER, DORIS, Orientteppiche. Band 1: Kaukasische Teppiche. Munich 1979, no. 433

  • Konya Kilim

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    • Lot6
    • OriginCentral Anatolia
    • Dimensions165 x 119 cm
    • AgeFirst half 19th century
    • Result EUR1,845
    In this small-format Konya kilim, two sets of nested hexagons fill the entire length of the light red field. They are flanked by six secondary motifs placed at the sides. The wide white main border is embellished with a spaciously drawn brown vine decorated with geometric stylised blossoms. Hexagons enclosing hooked diamonds are lined up in the two brown-ground elems. The quality of the light patinated colours indicates a date in the first half of the 19th century. – Completely preserved, including the original finishes; the brown sections are so heavily corroded that the white warps are exposed in these. Backed with canvas.
  • Ersari Ensi

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    • Lot7
    • OriginCentral Asia, middle Amu Darya region
    • Dimensions174 x 128 cm
    • AgeSecond half 19th century
    • Result EUR2,091
    This large Ersari ensi was probably not used as a tent hanging, but served as a door rug in one of the houses of the winter quarters. The characteristic hatchlu cross occupies the whole of the field, and its wide horizontal bar is decorated with central ikat-style motifs. The narrow field is framed by three borders which differ in ornamentation. – Good condition, original finishes all around.

    LOGES, WERNER, Turkmenische Teppiche. Munich 1978, no. 85

  • Derbent Kelleh

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    • Lot8
    • OriginNorth East Caucasus, Daghestan
    • Dimensions410 x 210 cm
    • AgeMid 19th century
    • Result EUR3,075
    Judging by its structure – a very coarse weave, a heavy and loose handle – and subdued palette, this carpet in the old-fashioned kelleh format was probably woven in the surroundings of Derbent, the largest city in Daghestan. Its design of huge palmettes, cloud bands, pinwheel motifs and shrubs draws on the repertoire of older Caucasian blossom rugs. – Heavy corrosion in the black-brown ground, one long stitched horizontal tear, various repairs and repiled sections.
  • Fachralo Prayer Kazak

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    • Lot9
    • OriginSouth West Caucasus
    • Dimensions140 x 117 cm
    • AgeLate 19th century
    • Result EUR1,968
    This red-ground Fachralo prayer Kazak displays a tower-like blue mihrab field which contains a large box shape. The yellow mihrab surround is recessed in a rectangular shape at the bottom, creating a re-entrant niche, and bulges into a small arch at the top; both forms are of religious significance. – The outer border is missing at the upper end, somewhat reduced at the bottom, original flatwoven selvedges, several repiled sections.

    AMPE, PATRICK & RIE, Textile Art. A personal choice. Antwerp 1994, no. 42 *** TSCHEBULL, RAOUL, Kazak. Carpets of the Caucasus. New York 1971, pl. 9

  • Göklen Bag Face

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    • Lot11
    • OriginNorth East Persia, Gurgan region
    • Dimensions37 x 48 cm
    • AgeCa. 1900
    • Result EUR615
    A knotted Göklen bag face. The field is divided by a cross into four sections, each containing a hooked diamond. The bag face either belonged to a khorjin, or it may have been a single bag. – Damage to the upper right-hand corner, otherwise in very good condition.
  • Shakhrisyabz Suzani Joynamoz

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    • Lot12
    • OriginCentral Asia, South West Uzbekistan
    • Dimensions131 x 108 cm
    • AgeCa. 1825 - 1850
    • Result EUR8,118
    In design layout – an empty field topped by a gable-shaped arch and wide borders – this very rare small-format Shakhrisyabz embroidery resembles the ruijo type, but it is much smaller. It is one of the few prayer mats still in existence, which is not surprising since these textiles did not survive prolonged use. In Uzbekistan this type is known as "joynamoz". This prayer suzani deviates from the comparative pieces cited below in several respects: its arch is horseshoe-shaped; its mihrab field takes the shape of a huge keyhole; and the style of drawing of the massive designs embroidered in bold colours is reminiscent of Lakai embroideries. –The lower section of the field has been damaged and repaired; signs of age and wear, stains, backed with calico.

    VOK, IGNAZIO (publ.), Suzani 2. Eine textile Kunst aus Zentralasien. Munich 2006, no. 73 *** GRUBE, ERNST J., Keshte. Central Asian Embroideries. The Wolf Collection. New York 2003, no. 21 *** DODDS, DENNIS & EILAND, MURRAY L.,JR. (eds.), Oriental Rugs fr