Major Autumn Auction

Saturday 05. December 2020 at 3 p.m.

162 Lots
Exchange rate
0.903 GBP1 Euro
1.216 USD1 Euro
  • Chefchaouen Embroidery

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    • Lot18
    • OriginNorth Morocco, Tangier Province
    • Dimensions177 x 28
    • AgeMid 19th century
    • Result EUR6,250
    This finely worked silk embroidery from Chefchaouen has the long and narrow format of a border. A box-shaped medallion with two pendants and decorated with golden blossoms stands alone at the centre of the white linen ground. It marks the central point of a mirror-image composition. The two golden sections above and below the central motif are densely covered in embroidery, and a large rectangle placed at each end of the field contains floral motifs in the diverse colours of the medallion. This decorative band and an identical second band were originally sewn onto a white linen cloth which was used as a wall hanging, door curtain or partition in a room. Such cloths are known as "arid" in Morocco. – Slightly damaged sides, good overall condition.

    TIETZEL, BRIGITTE (ed.), Zarte Bande aus Marokko. Krefeld 2000, nos. 38, 39b *** SCHÜRMANN, ULRICH, Teppiche aus dem Orient, 4th edition 1979,ill. p. 191

  • Sarkoy Kilim

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    • Lot19
    • OriginSouth East Europe, Thrace
    • Dimensions153 x 113 cm
    • AgeLate 19th century
    • Result EUR1,500
    A large tree of life adorns the cherry-red field of this finely woven Sarkoy kilim; the dark green border shows abstract birds. – Well preserved except for small darned areas, both ends somewhat reduced.
  • Hotamis Kilim

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    • Lot20
    • OriginCentral Anatolia, Konya region
    • Dimensions399 x 89 cm
    • AgeCa. 1800
    • Result EUR2,000
    Half of a large kilim originally in two panels. In the red field, ten white joined hexagons with massive, lateral double hooks combine into a design bar. The design of the brown-ground border consists of short horizontal bars with feathered ends arranged into sections of varying colours, each set of two enclosing a butterfly form. The two white elems are embellished with large mirrored triangle and hook figures. Very beautiful, brilliant colours. – Small missing areas, the edges are partially fragmented, mounted onto canvas.
  • Konya Kilim

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    • Lot21
    • OriginCentral Anatolia
    • Dimensions380 x 90 cm
    • AgeCa. 1800 or older
    • Result EUR1,625
    Half of a large kilim originally in two panels. The field and border are interlocked as well as separated by a band of double-sided parmakli devices. The width of the border and the large scale of its motifs are highly unusual features. The fine weave, meticulous drawing and excellent quality of the colours suggest an early date. – Several missing sections, mounted onto canvas.
  • Karaman Kilim

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    • Lot22
    • OriginSouthern Central Anatolia
    • Dimensions212 x 122 cm
    • AgeSecond half 19th century
    • Result EUR3,000
    This rare kilim was woven in a village in the surroundings of Karaman. Originally it was used as a curtain to cover a wall niche, so despite its niche design it did not serve as a prayer rug. Four serrated nested diamonds are aligned on the central axis of the red field, surrounded by small motifs. The inner sides are decorated with parmakli devices. The triangular arch with parmakli outlines in the upper field section is effectively repeated into infinity, using different colours for each iteration. The vertical bands of the border are composed of reciprocal trefoils, also drawn with parmakli outlines. - Very good condition.

    VOK, IGNAZIO, Vok Collection. Anatolia. Kilims und andere Flachgewebe aus Anatolien. (Text by Udo Hirsch) Munich 1997, no. 9 = RIPPON BOSWELL, auction 88. Vok Collection, Selection 2, 12/03/2016, lot 175 *** HULL, ALASTAIR & LUCZYC-WYHOWSKA, JOSE, Kilim. The Complete Guide. London 1993, no. 323

    • Lot24
    • OriginNorth West Turkey
    • Dimensions117 x 75 cm
    • AgeFirst half 20th century
    • Result EUR1,250
    A small and very finely woven Hereke silk rug. The flatwoven golden ground of the shield-shaped field ending in an upper arch consists of metal-wrapped threads from which the floral motifs of the tree design stand out in relief. The white spandrels are embellished with green vines. The light blue main border shows a vine of rosettes, palmettes and sickle leaves drawn in the Ottoman style; the delicate stems bear hyacinth blossoms. – Very good condition.
  • Dösemealti

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    • Lot25
    • OriginSouth West Anatolia, Antalya region
    • Dimensions138 x 111 cm
    • AgeLate 19th century
    • Result EUR1,125
    A number of repiled and repaired areas, slight signs of wear, well-preserved pile. Heavy corrosion in the brown sections.

    TURKISH REPUBLIC MINISTRY OF CULTURE AND TOURISM (publ.), Turkish Handwoven Carpets. Catalog no: 2. Ankara 1988, 0137

  • Chodor Jollar

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    • Lot28
    • OriginCentral Asia, West Turkestan, Mangyshlak region
    • Dimensions57 x 152 cm
    • AgeEarly 19th century
    • Result EUR31,250
    A very rare Chodor trapping. The field, the wide, undecorated outer stripe and every second compartment of the border are woven in the same reddish fawn ground colour so that the design appears light and transparent. Three large asymmetric güls with serrated outlines and two vertical points, each enclosing a star and the characteristic Chodor vines, are aligned on the horizontal central axis. They are flanked by short diagonal stems bearing small blossoms. Eight alternately light red and white ertmen güls with abstract birds are offset against them. Truncated by the border, they appear as halved forms. The 62 flowers drawn in a distinctive style in the cassette border are only encountered in Chodor weavings. – This jollar deviates from the almost obligatory design principle of Turkmen rugs – primary güls and smaller secondary güls – in that both gül types are equivalent here. It is exceptionally fine in weave and probably belongs to the P-Chodor group. Another P-Chodor jollar was exhibited in Hamburg in 1993, but differs in field design. The same asymmetric güls can be found in two chuvals in American collections (Ellis in “Turkmen“ and Munkacsi in “Atlantic Collections”). – Both sides minimally reduced and newly overcast, original upper and lower finishes, the kilim back has not survived. Good condition.

    HAMBURGISCHES MUSEUM FÜR VÖLKERKUNDE (publ.), Wie Blumen in der Wüste. Die Kultur der turkmenischen Nomadenstämme Zentralasiens. Hamburg 1993, no. 87 *** MACKIE, LOUISE & THOMPSON, JON, Turkmen. Tribal Carpets and Traditions. Washington 1980, no. 52 *** DODDS, DENNIS & EILAND, MURRAY L. JR. (eds.), Oriental Rugs From Atlantic Collections. Philadelphia 1996, no. 206

    • Lot29
    • OriginSouth East Europe, Romania
    • Dimensions188 x 126 cm
    • AgeCa. 1930
    • Result EUR5,500
    This "Lotto" design carpet was probably produced in the Bucharest workshop of the Romanian master forger, Teodor Tuduc. The spaciously conceived, grid-like field design drawn in the Anatolian style may have been modelled on a "Lotto" carpet (17th century) in the Protestant church of Harman (inv. 19, see below). The main border drawing of red cartouches on a dark blue ground is based on different models. – Good condition.

    IONESCU, STEFANO (ed.), Die osmanischen Teppiche in Siebenbürgen. Rome 2006, p. 92, cat. 92

  • Gyantse Makden

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    • Lot30
    • OriginCentral Asia, South Tibet
    • Dimensions135 x 66 cm
    • AgeCa. 1900
    • Result EUR1,188
    A saddle bottom composed of two trapezoid halves joined at the centre. In the light brown fields, a floral medallion is surrounded by small, so-called “seven-finger pine” motifs and floral stems. The dark blue main border presents blossoms within a diamond lattice. – Good condition, backed with a blue fabric, trimmed with red felt.