Major Spring Auction
Saturday 29. May 2010 at 3 p.m.
|0.851 GBP||1 Euro|
|1.237 USD||1 Euro|
Luri KilimAdd to wishlist
A large kilim of abstract design by the Luri of Fars, with six horizontal panels in red, blue, orange, green and brown containing zip fastener designs in contrasting colours. The panels are separated by narrow black-and-white bands of reciprocal hooks. The expressive colour scheme and use of brown warps indicates a provenance among the Luri who probably adopted this memorable design from the neighbouring Qashqai. Minor rewoven areas, now in good condition.
- South West Persia, Fars
- 320 x 169 cm
- Late 19th century
HERRMANN, EBERHART, Seltene Orientteppiche 5. Munich 1983, no. 64
ChelaberdAdd to wishlist
This Chelaberd from the private collection of deceased New York gallery owner Vojtech Blau represents the early design type of the group, with only one sunburst medallion and two large, halved flowers framed by a semi-circular arch decorated with vines at the ends of the field. Derived from the design repertoire of older, 18th century Caucasian workshop carpets, the designs migrated to a rural environment, where a new compositional context was invented for them. Small flowers, palmettes and animals complete the primary design. Schürmann illustrated a very similar example. Corroded and repiled brown sections, newly overcast sides. Original end finishes, but restored in places, one stitched tear.
- South Caucasus, Karabagh
- 214 x 139 cm
- Second half 19th century
SCHÜRMANN, ULRICH, Caucasian Rugs. Ramsdell 1974, no. 28, p. 112
Genje with a Star DesignAdd to wishlist
- Central Caucasus
- 260 x 126 cm
- 19th century
Twelve carpets and flatweaves from the ORIENT STARS Collection.
The following twelve lots originate from the „Orient Stars“ Collection. They were offered before at the „Orient Stars“ special auction held by RIPPON BOSWELL on 2nd October 1999. Comprehensively catalogued by us at the time, all objects are also illustrated and discussed in the „Orient Stars“ publication. In view of the museum character of these collectors items, we have dispensed with descriptions of their condition. Collector E. Heinrich Kirchheim, now deceased, placed more emphasis on the artistic expression, beauty, rarity, cultural and historic importance of the objects in his collection than their state of preservation, a perspective many important collectors develop during the course of their collecting lives. All carpets and kilims were expertly cleaned and conserved prior to publication in „Orient Stars“ in 1993. Most of the fragments or objects surviving in fragmented form were backed with canvas and some of them framed. Below, references to the publication, „KIRCHHEIM, E. HEINRICH, Orient Stars. Eine Teppichsammlung. Stuttgart-London 1993“ will be abbreviated to „OS“; our previous catalogue of the „Orient Stars“ auction is referenced „RB“.
“One might dub this rug, and its handful of close relatives, ‘E type’ Star Kazaks. ... Note how the internal design of the central red star also parallels the basis Star Kazak design concept, as well as the surrounding sickle leaf forms, and the ‘S’ forms in the border.” (HK)This village rug from the Gendje region is obviously a successor to the B type Star Kazaks, sharing their elongated format. Its narrow border with stylised dragon motifs relates it to no. OS-2. The complex Star Kazak “explosion” design is seen here in a greatly simplified version.
HERRMANN, EBERHART, Seltene Orientteppiche 6. Munich 1984, no. 27
ShirvanAdd to wishlist
- East Caucasus
- 277 x 144 cm
- 18th century
“I particularly like the dramatic contrast between the calm of the camel-brown ground and the powerful, typically Caucasian, ornaments. The strongly outlined hooked blue medallions , which can be related to those seen on plate 69, are balanced by the less clearly defined central red medallion, as in the Star Kazaks. The cartouches between have evolved into stars.” (HK)Attributed to the Shirvan region on account of its structure, this carpet falls outside the East Caucasian design tradition of densely filled spaces. The three primary forms are accompanied by only a few secondary designs, and seem to float above the ground. Due to its harsh outlines, the pronounced reciprocity of its design and the archaic simplicity of its border, this Shirvan seems a nomadic rather than a village product.
Shahsavan Bag FaceAdd to wishlist
- South East Caucasus, Moghan region
- 58 x 56 cm
- Mid 19th century
“A kilim-related design which lends itself to a wide variety of interpretations. Note the Karachoph-related ‘tree’ design in the skirt.”Like the “tortoise” and “compass” designs, the “four-and-one” medallion design seen in this sumakh bag front formed an integral part of Shasavan. Surviving examples differ chiefly in their borders. An almost identical bag was published in the exhibition catalogue, “Mideast Meets Midwest”.
STONE, PETER, Mideast Meets Midwest. Ethnographic Rugs From Midwest Collections. Chicago 1993, no. 42 *** FRAUENKNECHT, BERTRAM, Schahsavan Sumakh Taschen. Fürth 1993, figs. 19, 20
KarabaghAdd to wishlist
“The Orient Stars Collection also contains a rug with a centralised design which could be interpreted as Archaic Alpan pattern... It has no central star, and not much geometry in the field design, but clearly there is a relationship if ideas between the overall field design and that of the embroideries illustrated in plates 45 and 46. As with the ivory-ground Orient Stars example, the design is a centralised endless repeat.” (MF, p. 105)
- South Caucasus
- 252 x 130 cm
- 17th / 18th century
Antalya KilimAdd to wishlist
- South Anatolia
- 386 x 155 cm
- 18th century
“On the basis of colour arrangement and structure this outstanding kilim can be placed among a group of weavings from the Antalya region, which Belkis Balpinar first described in the literature in 1984... A very interesting fragment, differing only in small details from the kilim introduced here, is in the Galveston Collection, and another small fragment – perhaps also part of this group or possibly of the west Anatolian red-ground group – is in the McCoy Jones Collection... The weaving illustrated here must be the most beautiful and most interesting, as well as the oldest example in this group of kilims from the Antalya region known to date.” (JR)We can only speculate about the age, tribal origin and purpose of this important kilim. Based on its mirror-image composition and measurements, it might have been one of the heraldic camel trappings used by Anatolian nomads until very recently. The pattern appears imbued with mystery. The solemn, statuesque figures crested with ram horns at both ends of the field exude a numinous aura. They appear to send signals to each other across the blood-red plain ground, and to communicate with the cruciform diamond at the centre. The expression “cult kilim” springs to the mind when looking at this flatweave, the only completely preserved example of its kind.
COOTNER, CATHRYN & MUSE, GARRY, Anatolian Kilims. The Caroline & H. McCoy Jones Collection. San Francisco-London 1990, no. 101 *** PETSOPOULOS, YANNI, 100 Kelims. Meisterwerke aus Anatolien. Munich 1991, no. 30
Balikesir Kilim FragmentAdd to wishlist
- North West Anatolia
- 295 x 70 cm
- 18th century
“This kilim was the first important example of its design type to come onto the Istanbul market, via the village of Savashteppe... This example is fragmented; it is missing the red surround with the pinnacle or finger-like transition to the field.” (JR)Two other fragments of this kilim type have been published. No. 14 in Konzett, classified as “Yüncü”, still has the “parmakli” side finishes while the example from the McCoy Jones Collection only constitutes the centre part of the field, as does OS-87. The design might be linked to pile-woven carpets, such as inv. no. E-16 (16th cent.) in the Istanbul Vakiflar Museum, or derived from these.
COOTNER, CATHRYN & MUSE, GARRY, Anatolian Kilims. The Caroline & H. McCoy Jones Collection. San Francisco-London 1990, pl. 22 *** PLOIER, HELMUT, Gewebte Poesie. Frühe anatolische Kelims. Sammlung Konzett. Graz 1991, no. 14
Cappadocian KilimAdd to wishlist
“In contrast to plate 90, this is a weaving with a very typical kilim design composition. So called ‘skirts’, which could almost no longer be described as borders, make up the secondary fields which adjoin the central field at both ends... The strong colours and the madder-pink ground which is beautifully contrasted with a few light blue areas, are particularly attractive. This gives the kilim an unusual and outstanding colour harmony.” (JR)
- Central Anatolia
- 387 x 170 cm
- Pre 1800
Karapinar Saf KilimAdd to wishlist
Of the three saf klims offered here, this splendidly coloured fragment, attributable to Karapinar, shows the greatest degree of abstraction. For this reason it seems decidedly more “modern” than the other two pieces. Its drawing is purely abstract, and its colours play the central role in producing the overall effect. Originally the kilim might have had seven niche fields. Another saf fragment belonging to the same special group was published in the Kailash Gallery book, and one half of a further example was recently sold by us.
- Central Anatolia, Konya region
- 275 x 145 cm
- Pre 1800
AMPE, PATRICK & RIE, Textile Art. A personal choice (Kailash Gallery). Antwerp 1994, no.15